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B i o g r a p h y

Puerto Rican singer with a rich baritone voice, graduated from the Conservatory of Music of his country.  In his 2011 professional operatic debut he interpreted the role of Il Commendatore in Mozart’s Don Giovanni at the Teatro de la Ópera de Puerto Rico. Appearances in his home country include Balthazar (Amahl and the Night Visitors), Fauré’s Requiem, a Gala of Zarzuela with the Puerto Rico Symphonic Orchestra, Mozart’s Requiem with the Puerto Rico Philharmonic Orchestra, Luis Nogales in the zarzuela Luisa Fernanda, Don Pedro in the zarzuela El Barberillo de Lavapies, a pirate in the opereta Cofresí by Rafael Hernández, to name but a few.  A member of the Opera Workshop of the Conservatory in Puerto Rico, he performed the role of The Superintendent in the opera Albert Herring by Benjamin Britten, Der Tod in Der Kaiser von Atlantis by Victor Ullman and the Priest in Die Zauberflöte by W.A. Mozart.

In 2013 he made his way to New York City, and with the Brooklyn College Opera Workshop, performed the role of Lord Sidney in Rossini’s Il Viaggio a Reims, Sparafucille and Monterone in Verdi’s Rigoletto, and Ben in The Telephone by Gian-Carlo Menotti. 

With his outstanding vocal beauty and artistic skill, Eliam Ramos has been heard internationally in numerous performances including Donizetti’s Don Pasquale in Spain, Leporello in Mozart's Don Giovanni in Israel, and the title role of Hans Werner Henze's El Cimarrón in Mexico.  Closer to home, he was featured in the Metropolitan Opera Guild’s 2022-23 Verdi’s Baritones Series. 
 
Mr. Ramos’ recent engagements include Clif Hardin’s Requiem for his Carnegie Hall debut, Brahms’ Requiem and Hayden’s Lord Nelson Mass with the Eastern Connecticut Symphony Orchestra, Beethoven’s 9th Symphony with the New Britain Symphony Orchestra, Verdi’s Requiem with the Conservatory of Music of Puerto Rico, various Bach’s cantatas including Ich habe genung and Handel’s Judas Maccabeus with Bach in Baltimore, Masetto (Don Giovanni) at Opera in Williamsburg, Belcore (L’Elisir D’Amore) and Cascada (Merry Widow) for Geneva Light Opera, Angelotti (Tosca), Schaunard (La Bohème) and Figaro (Le Nozze di Figaro) with Soo Theatre in Michigan, Dulcamara (L'Elisir D'Amore) with the Bar Harbor Music Festival, Count Ceprano and Marullo (Rigoletto), Alfio (Cavalleria Rusticana), Scarpia (Tosca), Silvio (I Pagliacci), Marcello (La Bohème) and Sharpless (Madama Butterfly) with Regina Opera, High Priest (Samson and Dalila) with Union Avenue Opera, four world premieres: Song of the Nightingale with On Site Opera, Is This America with White Snake Projects, The Extinctionist with Heartbeat Opera and Rossini Perduto with Teatro Grattacielo.

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A busy New York artist, Eliam is always singing concerts and recitals.

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